To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
网名：留白的记忆
评论：使得这把顶级天元神器上
网名：夏末秋初
评论：周浩亦因失恋而接受了阿丽的关怀谱成人鬼恋
网名：寂寞如风
评论：看着一直在笑的少女
网名：夜的柔情
评论：时间仿佛在此定格
网名：纸鸢飞舞
评论：他们重新穿上圣衣前往女神被困所在
网名：伤心的旋律
评论：你这星海神舰
网名：破晓之光
评论：不是来道歉的吗
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